Michael Kessler. Mezzo-Soprano. The piece premiered in the United States in 1809; it was Beethoven's first success in the United States. 2.4.1 Selections.  However, upon reviewing the changes, Beethoven still was not happy, saying, "I know that the text is extremely bad, but if even a bad text is conceived as a whole entity, it is very difficult to avoid disrupting it by individual corrections".  It has since drifted somewhat into obscurity, and is rarely performed, being regarded by some as falling below Beethoven's usual standards of excellence. Kaarin Cecilia Phelps. Design By HOUSTON MARKETING AGENCY – IMPROZ, Required Chorus Scores and Practice Tracks, Make Your Payments and the HMC Wardrobe Order Form. It was written in a very short period; in a letter to Breitkopf & Härtel written shortly after the oratorio's completion, Beethoven spoke of having written it in "a few weeks", although he later claimed that the piece required no more than 14 days to complete. We all know that allowances are to be made... so far as I am concerned, I would rather set Homer, Klopstock, Schiller to music. Phillipa Thomas. Special guests: Houston Camerata, Blinn College District Chamber Choir, Fort Bend Symphony Orchestra. Your email has been added to our mailing list. The libretto in German is by the poet Franz Xaver Huber [de], editor of the Wiener Zeitung, with whom Beethoven worked closely. The tenor sings as Jesus, with the soprano as a seraph (angel) and the bass as Peter. It was begun in the fall of 1802, soon after his completion of the Heiligenstadt Testament, as indicated by evidence in the Wielhorsky sketchbook. 85, is an oratorio by Ludwig van Beethoven portraying the emotional turmoil of Jesus in the garden of Gethsemane prior to his crucifixion. Zach Averyt. All Rights Reserved. The orchestra scoring is simple: oboes , strings and basso continuo of harpsichord , violoncello , violone and bassoon . Handel uses four voice parts in both solo and chorus, soprano (S), alto (A), tenor (T) and bass (B). , The critical response to the work's initial performance was mixed; while the Zeitung für die Elegante Welt's critic wrote that the oratorio contained "a few admirable passages", a review in the Freymüthige Blätter called the piece "too artificial in structure and lacking expressiveness, especially in the vocal music", and claimed that the performance "was unable to achieve really marked approbation". If they offer difficulties to overcome, these immortal poets at least are worthy of it. Soloists. The oratorio is scored for soprano, tenor, and bass soloists, with standard SATB chorus and symphony orchestra. Bass.  However, despite conflicting contemporary critical reports and Beethoven's own misgivings about the libretto, "...after its premiere in 1803 the work was performed four times in 1804, and repeated every year, always drawing full houses, until it was banned in 1825 by the Hofmusikgraf. A complete performance lasts approximately 50 minutes. Tickets: General Admission $20, Students/Senior $15. The editors at Breitkopf & Härtel agreed with Beethoven's critical assessment of the text, and Christian Schreiber was enlisted to make massive changes to the libretto. It concludes at the point of Jesus personally accepting his fate, placing the emphasis on his own decision rather than the later Crucifixion or Resurrection. Beethoven's only oratorio, he was quite critical of the piece and of the performance of the orchestra and chorus at its premiere. Thank you. The oratorio is scored for soprano, tenor, and bass soloists, with standard SATB chorus and symphony orchestra. " (Beethoven eventually did set Schiller to music in his monumental Ninth Symphony, nearly twenty years later.) Tenor.  It was first performed on April 5, 1803 at the Theater an der Wien in Vienna; in 1811, it was revised by Beethoven for publication by Breitkopf & Härtel.  The 10 years that passed between the composition of the work and its publication resulted in its being assigned a relatively high opus number. 2.3 Vocal Scores. A complete performance lasts approximately 50 minutes. 184.108.40.206 For Harp and Piano (Bochsa) 2.4.2 Chor der Engel: Welten singen Dank und Ehre ('Hallelujah') (No.6b) 220.127.116.11 For Organ (Best) 3 General Information Only once is the chorus divided in an upper chorus and a lower chorus, it is SATB otherwise. The work is a dramatic oratorio and is considered a much more humanistic portrayal of the Christ passion than other settings, such as those by Bach. 2.3.1 Complete; 2.3.2 Chor der Engel: Welten singen Dank und Ehre ('Hallelujah') (No.6b) 2.4 Arrangements and Transcriptions. Amanda Kingston-Beetle. Houston Masterworks Chorus is a 501(c)(3) nonprofit corporation, Copyright ©2017 Houston Masterworks Chorus. Christus am Ölberge (in English, Christ on the Mount of Olives), Op. He panned Huber's libretto, saying, in an 1824 letter to the Gesellschaft für Musikfreunde, "Let us leave out of consideration the value of poems of this sort. "[better source needed], The "Welten singen..." finale chorus has enjoyed some popularity on its own, usually being rendered as a "Hallelujah", frequently performed by church, high school, and college choirs. Houston Masterworks Chorus celebrates Beethoven’s 250th birthday with his beautiful Mass in C Major. Soprano. . The tenor sings as Jesus, with the soprano as a seraph and the bass as Peter. Phillipa began her choral training in Cantamus Girls’ Choir, with whom she toured extensively and competed successfully. , Calvin Stapert, "Images of Christ in Post-Enlightenment Oratorios", in, Christ on the Mount of Olives (Caravaggio), "Christ on the Mount of Olives" Beethoven, Learn how and when to remove this template message, https://www.discogs.com/Ludwig-Van-Beethoven-Christus-Am-%C3%96lberge-Christ-On-The-Mountain-Of-Olives/release/2628371, International Music Score Library Project, Ira F. Brilliant Center for Beethoven Studies, https://en.wikipedia.org/w/index.php?title=Christ_on_the_Mount_of_Olives_(Beethoven)&oldid=983036992, Articles needing additional references from November 2011, All articles needing additional references, Articles with unsourced statements from March 2019, Articles with unsourced statements from November 2011, Articles with unsourced statements from January 2018, Articles lacking reliable references from January 2018, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 11 October 2020, at 21:29.
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