1895, Etching on Japanese paper with Sepia, 9,5 x 13,5 cm, signed and dated on the plate, signed and dated with pencil, verso labelled “Epreuve n. 13” and signed. Description: Tricot 638, Previously illustrated from a sketch in the sketchbook (Liber Veritatis, f. 22r, title not mentioned) now in the collection at the Art Institute of Chicago. (11.9 x 16 cm.) from "les péchés capitaux" JAMES ENSOR Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE. (25.1 x 32.1cm) [Elesh 65]. Estimate: at upper left/upper right corners on verso, also slight smudge marks verso. Verso: Signed in black pencil. Buy original art worry free with our 7 day money back guarantee. plate: 3 1/2 x 5 1/2 in. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. Black pencil drawing on panel prepared with white chalk. Le Christ apaisant la tempête (T. 5): With margins, in good condition apart from pale paper discoloration, a diagonal crease at the lower right corner of the sheet and soft creasing at the lower left corner, a tiny pale brown stain in the upper margin and a very pale spot of discoloration at the lower sheet edge, two thinning areas in the right of the sheet, two pin holes in the upper margin, three areas of skinning at the sheet corners verso associated with previous hinging and hinge remnants at the upper sheet edge verso, unframed. Traces of surface soiling. Etching, 1889, the third (final) state, signed in pencil, on simili japon, framed, Condition Report: L'Ecorché (T. 57) with wide margins, a deckle edge at left and bottom, in good condition apart from a small linear brown stain(?) The margins may or may not be full. Private Collection, Pennsylvania. $2,000 - $3,000. Landscape with Farmhouses. The Collection of Albert Croquez, Paris, France. sheet: 24 15/16 x 17 7/8 in. 12 1/2 x 15 3/4 in. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.". Descriptions provided in both printed and on-line catalogue formats do not include condition reports. Scattered foxing in the margin as well as ocassionally in the image area. ENSOR James (1860 - 1949) - "Mon père mort" et "Un pêcheur", deux eaux-fortes sur papier. JAMES ENSOR (belgian 1860-1949)/span "LES PATINEURS" 1889, pencil signed twice bottom right and titled and numbered 80 529 verso, Elesh's second (final) state, with wide margins. Cette pointe-sèche ne se rencontre pas communément. Very minor skinning and old tape remains at the reverse of the upper left margin corner. Signed and dated in red, lower right, 'Ensor / 76'. (53.3 x 37.1cm) This work is signed by the artist and inscribed verso, "proof enhanced by my hand." James ENSOR (1860-1949) PETITES FIGURES BIZARRES, 1888 Eau-forte et aquatinte, signée, datée "1888" et titrée 29,7 x 23,4 cm La planche est également signée au verso, en diagonale Taevernier 53 Bon état hormis une ombre sur la partie gauche de la feuille Etching and aquatint, signed, dated "1888" and titled. Par James Ensor. All transactions are governed by Freeman's Conditions of Sale. PROVENANCE: This lot carries limited provenance from a Southern Ontario estate. The Collection of Albert Croquez, Paris, France. Description: Provenance Studio of the Artist, Ostend | Sam Salz, Paris/New York | Leon Fischer, New York. Signed in red lower right, 'Ensor'. And, with subtle shading, he adds depth and dimension to the face of death, imbuing him with even greater menace. note: Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil). note: Lithographie en couleurs sur Japon nacré. Ensor' and dated in black pencil on '1876 / Vendredi 8 Avril'. 6 1/4 x 8 1/2 in. Signed and dated in pencil, lower right, and counter signed and titled in pencil, verso. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. The margins likely trimmed as they appear slightly uneven and with a few fine nicks consistent with a blade. La Reine Parysatis (T. 116) - With wide margins, in good condition apart from remains of adhesive along the upper sheet edge, very pale mount-staining, the tip of the lower left sheet corner softened, traces of soiling in the margins and verso, unframed. Etching, 1887, the second (final) state, signed in pencil, on simili japon, Condition Report: Further stains and foxmarks verso, some of which show through faintly to the front. 'La Mort Coquette' (Wanton Death) 1923. With foxing and/or brown staining variously. Estimate: With scattered foxing mainly in the bottom center margin, extending into the dedication as well as slightly into the image with a few pale foxmarks evident in and between the white stripes of the figure at right.

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