To hear the previous feature, click here. The orchestra scoring is simple: oboes, strings and basso continuo of harpsichord, violoncello, violone and bassoon. Much of the power of the piece, Kapilow says, lies behind the rhythm of the word hallelujah. The "Hallelujah Chorus," from George Frideric Handel's Messiah, ... Much of the power of the piece, Kapilow says, lies behind the rhythm of the word hallelujah. Hallelujah! Handel could have assigned the four syllables of the word to four notes of equal length. "What makes Handel great," Kapilow says, "is that first note is lengthened and then we explode at the end. Hallelujah! "Hallelujah" Chorus (Lyrics) Hallelujah, hallelujah, hallelujah, hallelujah, hallelujah. Hallelujah, hallelujah, hallelujah, hallelujah. For the Lord God omnipotent reigneth. and Lord of lords! Hallelujah, hallelujah, hallelujah, hallelujah, hallelujah For the Lord God omnipotent reigneth. Simplicity, it turns out, is the secret to the success of Handel's ever-popular "Hallelujah Chorus." The "Hallelujah Chorus," from George Frideric Handel's Messiah, is such an iconic piece of music — and is so ingrained as a Christmas tradition — that it's easy to take its exuberance and its greatness for granted. istockphoto For the Lord God omnipotent reigneth Backstory to the writing of Messiah ", But Handel keeps repeating the passage in higher and higher registers. What Is The Dynamics Form Rhythm And Melody For Hallelujah Chorus From Messiah “Hallelujah Chorus” by George F. Handel The Baroque era is a style or period of European music between the years of 1600 and 1750. hide caption, Simplicity, it turns out, is the secret to the success of Handel's ever-popular "Hallelujah Chorus.". The composer-conductor joins Performance Today host Fred Child to look deeper into the structure of Handel's popular little chorus to discover why the music has such a powerful grip on singers and listeners — all the way back to King George II of England, who (legend has it) began the tradition of standing during its performance. Hallelujah! Handel received critical musical training in Halle, Hamburg and Italy before settling in London in 1712. And He shall reign forever and ever, |: King of kings! We Insist: A Timeline Of Protest Music In 2020, John Rutter: The Art Of The Christmas Carol. "The thing that's so amazing about it," Kapilow says, "is that it's actually based on one of the simplest ideas you could possibly imagine: a single note repeated over and over again; one note per syllable — 'king - of - kings' and 'lord - of - lords.' Hallelujah! Hallelujah! That's where Rob Kapilow comes in. Two trumpets and timpani highlight selected movements, such as the closing movements of Part II, Hallelujah. By 1741, Handel’s pre-eminence in British music was evident from the honours he had accumulated, including a pension … Messiah is undoubtedly Handel’s best known work, and one of the main reasons his popularity endured after the Baroque era when so many other Baroque composers were forgotten until the revival of interest in older music in the mid-nineteenth century. Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Coverdale Psalter, the version of the Psalms included with the Book of Common Prayer.It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. Another key to the chorus' power is in what Kapilow calls the "King of Kings" section. Hallelujah! and Lord of lords! We have this HAAAA-le-lu-jah.". For a full archive of What Makes It Great, click here. "That's the climax of the piece.". The term Baroque was derived from a Portuguese word meaning “a pearl of irregular shape.” A well known piece during this period is the “Hallelujah Chorus” written by George F. … Only once is the chorus divided in an upper chorus and a lower chorus, it is SATB otherwise. How? Your purchase helps support NPR programming. : | And He shall reign forever and ever, King of kings! Hallelujah, hallelujah, hallelujah, hallelujah. George Frideric Handel (German: Georg Friedrich Händel; pronounced [ˈhɛndəl]) (born in Germany, 1685), became a prominent German-British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Remember that of the 53 movements that make up this oratorio, you will only have to identify one, “Rejoice Greatly,” on the listening exam. Hallelujah! "Each one seems to be the highest you could possibly get," Kapilow says. But that would be boring — and it wouldn't be Handel, Kapilow says. He became a naturalised British subject in 1727.

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